Looking for super-saturated colors, with deep greens, rich blues and vibrant reds? Load a roll of Velvia. The old days: Change the film to change your lookīack in the film days, it was the film that made the image, not the camera, and different films had very different 'looks' from each other. Heads-up: Third-party RAW apps' film profiles look different(!).Yellow/Red/Green filters for black and white photos.Film grain and the ACROS film grain simulation.The ETERNA Bleach Bypass Film Simulation.Understanding the color plots used here.

There's a lot of text here if you'd like to skip to a specific film simulation or perhaps the part about third-party simulations not matching what your Fuji camera produces, just click one of the links below:

Quick links for individual film simulations: In this article, I'm going to go way, way inside what they do and how they do it, and how the various film types differ from each other. Few people realize what this actually means, though most assume that they could do the same thing with a few tweaks of the sliders in Photoshop.įuji's Film Simulations involve far more than that, though, and use a lot of deep color science to achieve their effects.

Rather than gimmicky, dumbed-down Instagram-y filters, Film Simulations are an integral part of my creative process whenever I shoot with a Fuji camera.įuji's 'Film Simulation' modes do just what their name implies: They simulate the look of classic color and black-and-white films. When it comes down to it, Scene Modes and various Creative Filters have always felt like gimmicks to me.įuji's Film Simulations are different, though they're one of the few in-camera image tweaks I've actually found valuable as part of my creative process.

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